Sunday, April 20, 2014
   
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76 ‘The Testament of Mary’ Would Achieve More With Less backstage.com
77 Inventive ‘Macbeth’ Provides New Perspectives on Shakespeare’s Tragedy backstage.com
78 ‘Orphans’ Offers Fine Actors Playing Synthetic Power Games backstage.com
79 ‘Jekyll Hyde’ Is Back and Louder Than Ever backstage.com
80 'The Assembled Parties' Weaves a Web of Complicated Relationships backstage.com
81 ‘The Big Knife’ Cuts Sharply and Deeply backstage.com
82 ‘The Nance’ Is Bold, Brave, and Flawed backstage.com
83 ‘Motown: The Musical’ Bathes Us in Nostalgia backstage.com
84 ‘Matilda the Musical’ Offers Coup After Coup de Théâtre backstage.com
85 'Goldor $ Mythyka: A Hero Is Born' Is Undone by Its Chaos backstage.com
86 'Neverwhere' Conjures a Dank, Fantastical Netherworld backstage.com
87 'The Beaux’ Stratagem' Makes for a Merry Romp backstage.com
88 'Billy Ray' Tells of the Birth of Film Noir backstage.com
89 'Years to the Day' Indicts the Digital Age backstage.com
90 'Eterniday' Celebrates the Inexplicable backstage.com
91 'Futurology the Musical' Aspires to Flash and Sass but Doesn't Succeed backstage.com
92 Philosophical ‘Smokefall’ Lacks a Dramatic Through Line backstage.com
93 ‘Kinky Boots’ Is the Feel-Good Musical of the Season backstage.com
94 ‘Kafka’s Monkey’ Proves a Firecracker of an Evening backstage.com
95 'Buyer Cellar' Is Inventive, Witty, and Pretty Wonderful backstage.com
96 'Good With People' Makes a Virtue of Brevity backstage.com
97 ‘The Last Five Years’ Benefits From Its Author’s Insightful Direction backstage.com
98 'Mad Forest' Proves Denser and Madder Than Ever backstage.com
99 'Orange Flower Water' Is Inadequately Realized backstage.com
100 Antaeus Company's 'Mrs. Warren’s Profession' Carefully Avoids Stereotypes backstage.com

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